A Short History of Holmes' Film Work
Holmes was a serious and capable photographer; his first real job had been as clerk in a camera store. He knew who was developing the neatest technologies, and in 1897 sent his cameraman and associate Oscar Depue to Paris to buy a camera from Léon Gaumont. [Click here for more information on the development of early cinema.] Thayer Soule, in On the Road with Travelogues, wrote, "In 1897 Holmes introduced the first travel movies, not part of the show, but presented afterward, as a novelty. The first were 25-second sequences that had no connection with the subject of the show, or with each other: A police parade in Chicago, the Omaha fire department responding to an alarm, or Neapolitans consuming spaghetti. They were black and white, of course, but created a sensation. In charge of this new department was Oscar Depue, an inspired technician, who became Holmes' partner. "Their first camera was a bulky French contraption that used film 60mm wide, fed unperforated into the camera. The camera, operated by a hand crank, perforated the film as it went through, sending a shower of confetti-like bits out the side. For projection, the camera gate and sprocket assembly were transferred to the projector to insure proper registration. A carbide lamp provided the illumination. Its white, hot flame was dangerously close to the film, which was cellulose nitrate, hightly exposive. Foamed off loose into a barrel, it presented a perfect opportunity for an expolsion. In later years both men marveled they hadn't blown themselves up! Holmes, even half a century later, carried in his wallet a short piece of that first 60mm film. When Vistavision, Cinemascope, and Todd-AO came along with their huge screens, people marveled at the width of the film, almost double the standard 35mm. "'You mean,' BH would say, handing them that strip of film, 'something like this?' "'That's it. Just like that. Boy, this new film is terrific.' "BH would smile. 'We used this back in 1897,' he said." Soule goes on to add, "In 1902 Holmes switched to the new standard 35mm film. He used it for the next 38 years, with a safer, more efficient arc light. Oscar found a way to 'paste the films together,' as he put it, making possible longer sequences. He was the first to spool film onto reels, safer and more convenient than bins of loose footage. The film was still highly explosive, but the risk was significantly reduced. He went on to head the Burton Holmes Films laboratory in Chicago. The big sign on the water tank of their Ashland Avenue plant was a familiar sight to three generations of passengers on the elevated system. He also developed the Depue multiple sound and picture printer. It became a standard in the industy, and remained so for 40 years." One of Holmes' early films, for the 1899-1900 season, was "Moki Land," of Native American peoples in Arizona. [Still photographs from this trip can be found in Volume 6 of his Travelogues.] Jeremy Rowe, writing in "A Photographic History of Arizona 1850 - 1920," says: "Motion picture cameras documented the Snake Dance at Walpi as early as 1899 when Oscar Depue visited the Hopi pueblo. Depue presented one of the first motion picture shows at a trading post in Canyon Diablo during a second trip to the area in 1900." [See his Photographers in Arizona 1850-1920: A History & Directory for more information on early photography in Arizona.] George C "Professor" Hall's website on silent movies has a page on Holmes' and Depue's 1898/9 films in Arizona, with stills from the "Rattlesnake Jack" segment. Holmes and his crew used 60mm films to supplement his slide-illustrated lectures for the next several years, switching to 35mm film for the 1902/03 season. See the full list of Lectures and Travelogues, by year, elsewhere on this site for more details on what was shown.
In the late 1970's a complete listing of all the films then still extant in the BHI archive was compiled by Bill Cartwright, Scott Goren, and Genoa Caldwell. Of particular interest was a 45-minute (1600 feet) promotional film "The Burton Holmes Story," which included short segments of some of his earliest film footage, including: 1897: USA: Chicago police; Omaha fire department In addition to the short segments in this compilation film, there were other reels with more of the original footage (possibly remastered onto 35mm nitrate stock) from these same expeditions. There is also footage from New York City and Japan in 1900, and a very short segment listed as "Hopi Indians" and dated 1903, which may actually be based on film shot in 1898 and repackaged for the 1903/04 lecture season. How much of this film survives today is anyone's guess. Many of the archived films were discovered by Jason Turner in 2003, as he cleaned up an apartment building which had been owned by his father, preparatory to selling it. Jason's father had owned a liquor store across the street from the BHI headquarters, and had rented a small cottage to Robert Mallet. Apparently, when BHI closed down, Mallett and Hollingsworth had asked Jason's father to store the films in his apartment building until they had some place else to put them. They never came back for them. These films are now at the film museum at George Eastman House in Rochester, New York. Some are in very bad condition and need restoration as soon as possible; money is an issue. For more on the discovery of the films see the press release, and our pictures of the films in temporary storage.
The Classic PeriodIn 1902 Holmes obtained the first of his many 35mm movie cameras, and immediately put it to use. By 1905 he and Oscar Depue had dozens of short film segments from their travels. Some of these still exist, in the rediscovered film archive; but some may be viewed now only as short paper print segments at the Library of Congress. Before 1912, films could not be copyrighted as such; but their content could be protected by making paper prints of a short segment of the film, and copyrighting that paper print. There are 82 paper print segments archived in Moving Image collections in the Library of Congress. Here is a subject list of the films deposited in the Library of Congress as paper prints in 1905, including 35mm films made and shown 1902-5, approximately in order of filming:
The following three segments could have been made independently of the others, or as part of any of several shooting trips:
Typical LC paper print strips on archive card, front and back: All photographs and scans by Michael Ward. We would like to give special thanks to the wonderful people at the Library of Congress Moving Image Collections, who went out of their way to help us.
Holmes and HollywoodBy 1915 Holmes had a contract with Paramount to make a weekly short travel film for general distribution. We don't have a good list of the early films. The Library of Congress' Cumulative Copyright Catalog volume for motion pictures, 1912 to 1939, lists many films 1920-22, ©Burton Holmes; and 1933-36, ©Holmes Films, Inc.; item marked [*] is ©Holmes Lectures, Inc. Additional items below marked [§] are not in the copyright list, but have been found in library or other catalog listings from [§ LC] = Library of Congress / [§ AFI] = American Film Institute / [§ THMFS] = Theodore Huff Memorial Film Society] / [§ JL] = JLewis on the TCM Fan Site. 1907
1915 The films shown below are probably Holmes' films for Paramount, 1915-6, though his name is not given on extant records. [compilation by Jeff Lewis]. 1 reel each. Title varies: no. 8-10 have title "Paramount Travel Series;" no. 19 has title "Special Travel Series." Paramount Pictures Corp. #1-#7 no titles or dates available, but probably 1915
1916
1916 (also)
1917
1918
1920
1921
1922
1923
1926
1930
1931
1933
1934
1936
By 1939 BHI was producing and copyrighting educational and vocational films for the industrial market. While they continued to produce film programs for the lecture series, we do not find these by name in the copyright catalogs. The LC Motion Picture Copyright Volume for 1940-1949 = [§ LC 49] lists many educational films made during this period. Films marked [§ LWS 49] are in the 1940-9 copyright guide, but are credited to A. P. Twogood at Vocational Guidance Films, Inc., for the Life Work Series, and may have nothing to do with BHI — though BHI did many vocational films for the Life Work Series. 1939
1940
1941
1943
1944
1945
1946
1947
1949
Undated and by reference only:
[More to come.]
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Update history: This page originally created 29 September 2004. Latest revision 27 October 2011.